Gospel Hummingbirds – Signs Of Revelations Sealed LP (Wind & Earth Records; WE-447)

Pretty sure this is the only gospel record that currently resides in Graypunk inventory. And I know next to nothing about it, as there is very little detail to be found online and this record is super scarce. The few existing copies I did find out there appear to be in the UK, for some reason. Odd, as this 80’s private press rarity is straight out of Oakland.

I do know that this is the second incarnation of the Gospel Hummingbirds, which were originally founded in the 60’s by Joe A. Thomas, Sr. His son, who shares the same name (minus the Sr, natch) formed a new ensemble under the same name that brought some ooomph to what was then gospel tradition, leading a full-on band to back the five-vocal harmonizing. It appears that Thomas did most of the heavy lifting when it came to the musical accompaniment, as he is credited with playing lead guitar, 12-string acoustic guitar, bass, drums, congas & percussion, acoustic piano, Yamaha electric piano, Fender Rhodes electric piano, clavinet, Arp string ensemble and Arp Odyssey. Damn. That’s in addition to his vocal duties in the group, providing lead, baritone, tenor and soprano. The dude did it all.

There are a few other credited musicians – Tim Plummer on drums & percussion, Ray Wiggins on bass and Curtis Mitchell providing some conga contributions. And there were four other vocalists in the Hummingbirds – Clearance Nichols, Roy Tyler (who went on to release some solo records, I believe), Robert Keys and James Gibson.

Again, I have never heard this record, and not sure if it ever made it to CD. I don’t think it did. The music, from my understanding, is reportedly pretty kick-ass – a mix of gospel, soul, funk and electric blues. Reportedly. Would love to check it out, but I will honor it’s sealed status and allow someone else the joy of being the first one to throw it on the turntable.

Available for a respectable $50 and can be purchased here…and there.

http://www.musicstack.com/item/37646082

http://www.gemm.com/item/Gospel–Hummingbirds/Signs–Of–Revelations/GML1450746265/

John Klemmer – Finesse Sealed LP (Nautilus Super Discs; NR 22)

John Klemmer. You know him, you love him. Okay, maybe you don’t. But people do. Some people. I’m just sayin’.

What we have here is a sealed and pretty much pristine copy of this direct-to-disc Nautilus Super Disc gatefold issue, pressed in on super high quality Germanic  Teldec vinyl. Smoothy seductive saxophone for Saturday evenings. Or, I suppose, Tuesdays as well.

It’s one hundred dollars and you can find it at the following authorized graypunk sellers…

Musicstack…http://www.musicstack.com/item/52017100

Gemm…http://www.gemm.com/item/Klemmer-c—John/Finesse/GML1451055016/

Don’t Call It A Comeback…Robert Plant’s Dreamland (And Much More) Now Online

Man, oh man. Despite what many may deem a liberation, not having a computer for a week is, well, not. Of course, speaking only for myself and speaking from a very selfish point-of-view in which Graypunk commerce slows to a crawl. Probably not unlike me after tomorrow night’s Brewfest at Raley Field.

So, just posted about 25 titles, a mere fraction of what I have sitting here to list. But hey, needed to make something happen, so it’s  start. A few highlights noted below. Oh, all of these titles are SEALED!

Tom Petty – The Last DJ (Warner Brothers 47955)…Not his finest hour (and many would deem it his weakest work), but it has its moments. And like most Petty vinyl from the mid 90’s on, hard-to-find and still desirable. Gatefold, custom sticker, couple of tiny corner pushes. $150.

Miles Davis – Doo Bop (Columbia 26938)…His last studio release, Miles gets his hip-hop on in this genre-pushing collaboration with Easy Mo Be. For those who don’t care for such things, Miles probably has a few choice words for you from the grave. $50.

Velvet Revolver – Contraband (RCA 59794)…The return of the real Guns N’ Roses with a new singer. While I find the current incarnation of Axl Rose a total douche, I, at least at one point, felt he could actually sing. I can’t say I ever thought the same thing about Scott Weiland. For those that can look beyond the insult, a super nice copy. $50.

Aerosmith – Honkin’ On Bobo (Columbia 87025)…The band’s last – and possibly final? – studio release. Tough to find in this new era that finds Steven Tyler a full-fledged pop culture sensation (which I still can’t help to find kinda weird). Gatefold, custom sticker. $100.

Van Halen – Balance (Warner 45760)…Perfect listening accompaniment while you’re reading Sammy’s auto-bio, especially the Van Halen chapters. $75.

Eminem – The Slim Shady LP (Interscope; INT2 90287)…Okay, enough classic rock (excepting Miles). Factory sealed copy of Em’s eye-opening, insult-hurling, controversy-ensuing 1999 debut. Two LP’s in single jacket with custom sticker (and a couple of light jacket creases). $100.

Betty Page – Jungle Girl (QDK Media 017)…Yes, I understand she doesn’t sing. And I don’t care. Kinda like I don’t care that this kooky German exotica compilation doesn’t know how to spell her name (Bettie). Different shot on back jacket and some nudie shots in the gatefold and, I assume, throughout the 20-page booklet. $75.

Robert Plant – Dreamland (Mercury 063 094)…Ridiculously rare (and ridiculously pricey) 2002 limited & numbered 2LP German-only pressing. Pretty sure there are only 2000 copies of this one, making it what I believe to be the rarest Plant record in existence. It’s way easier to find a sealed Zeppelin title than finding this record in, well, any condition. This copy is #1395, is new and unplayed, with custom inner sleeves. The jacket is one tiny corner push away from perfection and has a peel-away custom sticker (and Made In Germany sticker) on the front jacket. Super, super sweet. And…$500. And no, I didn’t add an extra 0 by mistake.

*Update* – I, ahem, apparently forgot to upload my scans yesterday. Been so long I actually couldn’t remember everything I needed to do. That, and I have occasional idiocy issues. All better now!

Still Hobbled, Still Buying

So, when you can’t actually upload new stuff, you can always fall back to piling up records to upload when you can. In addition to the purchases I made on Thursday, I bought a good chunk of a private collection yesterday. Somewhere around 150 albums and thirty-something reel-to-reels. So I now have quite a backlog of stuff once I get my computer back (and once I ensure that everything is either still on it…or is restored to that state). Said collection is heavy on English folk, so heads up there. After that, a bunch of 60’s and 70’s rock. Smattering of blues, few jazz things, a handful of sealed 80’s titles, amongst others. Oh, and a sealed copy of a super nice German six-lp Buddy Holly box. So, if any of that sounds good, hang in there until, hopefully, mid-to-late next week.

Temporarily Hobbled By Technology

Yes, all has been quiet as of late. And all will likely continue to be quiet for the next week as the Graypunk office hub is a bit under the weather. At some point late Sunday night, my Macbook Pro screen darkened. And never, ummm, undarkened. Needless to say, I was semi-freaking about the impending trip to my local Genius Bar, concerned that it would be a prohibitively expensive visit, potentially resulting in me having to throw down for a new computer (and this one is only about 3.5 years old).

My local genius – Isaac – tells me that the video card is no good. He then tells me that it is actually part of the circuit board (or something like that), so not as simple as, well, replacing a video card. Okay, I tell myself, I’m gonna need to weigh the cost of replacing the guts of my current Mac with buying a shiny new model. Okay Isaac, give it to me. I’m a man. Well, physically anyway. Isaac tells me that the video card that was used in this model has a history of premature death. Okay… Then the kicker – Apple will fix it for free! And then when it’s been repaired, Apple will ship it to my house. For free! Now, I don’t wanna go on a Lefsetz “Steve Jobs is God” rant here, but this isn’t the first time I have had my ass kicked by Apple’s customer service. And I don’t expect it will be the last. And that is primarily why I’m a total Apple fanboy. That and the fact that the company just makes great – and great looking – stuff.

Anyway, yeah, no computer until early next week. And, hopefully, I’ll be back up and running shortly thereafter. I throw “hopeful” out there because there was one more thing Isaac mentioned to me before he took possession of my MacBook. “When was the last time you backed this thing up?”, he asked. Being the Apple-ist that I am, I have a Time Capsule, which wirelessly backs up my hard-drive every day. “Yesterday”, was the answer. He then tells me that when these kinda repairs are undertaken, the hard-drive often gets wiped out. Uh, gulp. Really? Really. Okay Apple, I can live with that as long as all your various pieces of  hardware – and accompanying software – work as seamlessly as they should. I’ll keep the faith. As my life – and my business! – are all on this computer, faith is all I have at the moment.

Once I have technology back on my side, I’ll be ready to upload a sweet stash of sealed records, including some very rare titles like Steely Dan’s “Two Against Nature”, Robert Plant’s “Dreamland” (hella limited and numbered), a reissue of Wolfman Jack & The Wolfpack on Bread and Iron Maiden’s triple-lp  epicness, “Rock In Rio”. Also some scarce stuff from name artists – Petty’s “Last DJ”, Creed’s “Human Clay”, Eminem’s “Slim Shady LP”, Aerosmith’s “Honkin’ On Bobo.” And finally, it’s tough to turn up punk stuff in halfway decent shape, let alone sealed, but managed to get my hands on some pretty tough-to-find titles from Less Than Jake, Poison The Well, Mr. T Experience, Reach The Sky, The Dickies (“All This And Puppet Stew”!) and Poison Idea (a limited, numbered German boot of a 1991 UK show snarkily entitled “Record Bootleggers Are Potential Millionaires”).

Yes, it was a good day in the vinyl mines. See you next week. I hope.

d

Nuggets, Volume 10: Folk Rock (Rhino LP 70034)

Third in a series, and the one title I just personally cannot get too excited about. I mean, not that I don’t like jangling acoustic guitars, mind you. (BTW, if you already own these, you can play along at home. In addition, you may also notice that it is Thursday, the fourth day of the “work week” and I’m on the third installment. I’ve misplaced my discipline).

As a result of my lack of enthusiasm for this particular installment, you, the reader, benefit from not having to endure my typically itinerant ramblings. (Not sure if “itinerant” is applicable here, but it sounds good and I’m rolling with it). This issue of Nuggets contains the usual stellar liner notes, this time courtesy of Howard Kaylan from The Turtles, whose band is represented here and who also was friendly, or at least somewhat acquainted, with many/most of the artists on this comp. Favorite insight – PF Sloan offering The Turtles “Eve Of Destruction” and them turning it down because they felt it to be a bit “too radical.” I can see that.

Side One…Byrds – Mr. Tambourine Man (duh), The Turtles – It Ain’t Me Babe, Grass Roots – Only When You’re Lonely, Jake Holmes – Dazed And Confused (yes, “that” D&C, predating Zep’s by years), Sunshine Company  – Back On The Street Again (and not to be confused with Donnie Iris’ Back On The Streets; that’s way different, if for no other reason that that’s an album, not a song) and, finally, Scott McKenzie’s San Francisco (Be Sure To Wear Flowers In Your Hair).

Side Two…Barry McGuire – Eve Of Destruction, Nitty Gritty Dirt Band – Buy For Me The Rain (sounds like Yoda speak, but I believe this predates Yoda…at least his film debut), M.F.Q. – Nighttime Girl, Peanut Butter Conspiracy – It’s A Happening Thing, Love Exchange – Swallow The Sun, P.F. Sloan – The Sins Of A Family and Hearts & Flowers (who?) – Rock N’ Roll Gypsies (a song title to later to be embodied by The Jacobites).

Alrighty then. That was fun, yeah? So, this series is still $35 per, still have saw-cuts and still only available on Discogs. I’d like to market this as some kind of “Discogs Exclusive”, but the reality is I can’t seem to carve out the ten minutes it would take to get ’em up on Gemm or Musicstack. Yes, honesty has gotten me this far, though I’m not really sure where I am.

http://www.discogs.com/sell/list?release_id=2191711&ev=rb

Millie Jackson – Get it Out’Cha System Sealed LP (Spring; SP-1-6719)

I know I’m supposed to be in the midst of a sealed Nuggets jag, but I had to throw this up, if just for the cover (although this record is supposed to be quite good).  The back jacket art is pretty great as well – just a simply overhead shot of a closed toilet. Think about it for a second. Yep, that was Millie. Sealed and $15 at any one of these fine internets establishments.

Discogs…http://www.discogs.com/sell/list?release_id=2007332&ev=rb

Musicstack…http://www.musicstack.com/item/37646080

Gemm…http://www.gemm.com/item/Jackson-c—Millie/Get–It–Out’cha–System/GML1450746263/

Nuggets, Volume 9: Acid Rock (Rhino LP 70033)

As I mentioned on Monday, I was going to spend the week posting about a series of sealed mid 80’s Nuggets compilations I recently stumbled across. Not at a store or seller’s house, mind you. But sitting amongst my personal collection. I apparently forgot I even had these. Honestly, I’m not sure if I ever knew I had these. I suppose at some point, a point in history for which I have no recall, I did. I was…where? Ah yes, Durham, NC. So yeah, 25 years-and five moves later-I’ve still got sealed copies.

This collection, given the fuzziness of exactly what defines Acid Rock, is all over the pace stylistically, and pretty great – from The Seeds to The Young Rascals to Iron Butterfly to The Monkees to yep, The First Edition. Leave it up to a bunch of ex-New Christy Minstrels (and fronted by Kenny Rogers) to come up with what still stands as one of the great pysch-pop songs – “Just Dropped In (To See What Condition My Condition Is In).” Absolutely killer song. Actually, the first couple of First Edition albums provide some pretty sweet listening before the group veered off into some fairly tepid soft country pop, providing the template for a what proved to be a huge solo career from Rogers.

Outside of that somewhat unexpected gem, you have your Love, your Strawberry Alarm Clock, your Byrds and your Seeds. All your acid-dropping faves.

Side One…Love – 7 And 7 Is, Byrds – Eight Miles High, First Edition – Just Dropped In…, Steppenwolf – Magic Carpet Ride, Young Rascals – It’s Wonderful and Monkees – Porpoise Song.

Side Two…Turtles – She’s My Girl, Strawberry Alarm Clock – Incense And Peppermints, Seeds – The Wind Blows Her Hair, Vanilla Fudge – You Keep Me Hangin’ On, Chambers Brothers – Time Has Come Today and The West Coast Pop Art Experimental Band – I Won’t Hurt You Today.

Like all these comps, includes extensive and killer liner notes, in this case courtesy of Phast Phreddie Patterson, founder of the late 70’s zine Back Door Man (as well as short-lived record label of the same name, having the great distinction of issuing the debut recordings from The Pop!)

All volumes that are available for sale have saw-cuts (natch) and are $35. And all are only up on Discogs at the moment, but I should have ’em posted on Gemm and Musicstack shortly. Should. Like I should have had this blog entry posted yesterday. Okay now.

http://www.discogs.com/sell/list?release_id=1713808&ev=rb

Nuggets, Volume 8: The Northwest Sealed LP (Rhino; RNLP 70032)

Wow…did I really go dark for, like, ten days? So, Record Store Day morphed into Record Store Week and I simply, as a friend of mine used to say, got “covered up.” Yeah, that’s southern for busy. And I still am. So, I’m going to take a, ahem, relaxed approach to re-entry and post a series of sealed Nuggets compilations that Rhino was releasing in the late 70’s/early 80’s. All have saw-cuts, but again, all are sealed.

First up, the mighty Northwest, led off by, of course, the Kingsmen’s classic take on “Louie, Louie”. Punk rock was never simpler. Or better, really. But it was The Wailers, straight out of Tacoma, that initially drug that track into – and out of – the garage. And it’s likely that every Pacific Northwest band at the time had it included in the setlist. But the Kingsmen version upped the ante on the stomp and the fuzz.

The big three – The Sonics, The Kingsmen and The Wailers – are all represented here with a pair of tracks each, as is Idaho’s Paul Revere & The Raiders. Also weighing in with two songs, despite never having cut an actual album, are pysch-folkies The Daily Flash. The band’s most memorable track (of the mere four they cut) was actually a B-Side, the band’s take on the folk standard “Jack Of Diamonds”, indelible primarily due to the boss guitar work of Doug Hastings, who went on to play guitar for Rhinoceros as well as a short stint in Buffalo Springfield.

Beyond that, there’s a few one-offs, including a track from Portland’s The Weeds entitled “It’s Your Time.” The Weeds was the first of several bands to feature now local pysch-punk legend Fred Coles, who went on to play in a long line of Portland-based bands, including Lollipop Shoppe, The Rats, Western Front and Dead Moon. And a bunch more.

Side One…Kingsmen – Louie Louie, Sonics – Boss Hoss, Paul Revere & The Raiders – Over You, Wailers – Hang Up, Initial Shock – Mind Disaster, Daily Flash, Jack Of Diamonds and The Weeds – It’s Your Time.

Side Two…Paul Revere & The Raiders – Just Like Me, Wailers – You Weren’t Using Your Head, Sonics – He’s Waitin’, Daily Flash – Violets Of Dawn, Kingsmen – I Guess I Was Dreaming and Floating Bridge – Don’t Mean A Thing.

Superb and detailed notes from Northwest Music Archive main man Peter Blecha.

Not sure why I only have these listed on Discogs at the moment, but…I do. Sealed old-school punk rock goodness for $35.

http://www.discogs.com/sell/list?release_id=2191702&ev=rb

Record Store Day Is Tomorrow – April 16th

If you are still fortunate enough to have a real record store in your neighborhood, city, town, burg, whatever, please make a point to stop by it tomorrow and give thanks. And maybe even buy a record. I mean, with 200 or so titles being released tomorrow, you should be able to find something, no? And most of the stores will have all kindsa things on hand to help celebrate – bands playing, a dj spinning, a record swap happening in the parking lot, food trucks close-by, you’ll want for nothing while you’re there. Ideally, that is.

So, I am not even going to try to sell you something today. Rather, I encourage you to actually leave the house and go into  physical record store (where available) and soak in what it was that made you passionate about music in the first place. And interact with the others around you that share that same indescribable joy. You’ll be glad you did. Or, at least, the owner of that record store will be glad you did.

I would like to leave you with two quotes on the RSD site, the first of which was posted by my good freind Steven King on his FB page earlier this morning…

Do yourself a tremendous favour and go to a record store today. The relatively mild exertion of getting off your fat, computer-shackled ass and venturing out to find the object of your desire, the thrill of moving through actual space and time, through row upon row of records, and the tactile ecstasy of fondling the quested treasure-all this will augment and enrich the mental associations the music invokes in you for the rest of your life.” – Grinderman

Man, I love that quote. Pefect. The second, and decidedly different, is courtesy of Slug from Atmosphere. You won’t see me quoting Slug often, if for no other reason that he usually resides well off my radar. But this is pretty great…

“I grew up in independent record stores. As a teenager, I would hang out in them, looking at records, learning about records. Eventually I spent my twentysomethings working behind the counters of two of the more prominent indie stores in my city. Graduated from that to co-owning one. So I’m sort of biased, I guess. If I were to make a list of the traits that make the indie store a vital part of the music industries movement, this blurb would be too long. So I will stick to two basic points: 1. breaking new bands. 2. Great place to meet awesome women. Don’t need to go any further than that. In fact, looking back, I can’t really come up with anything negative to say about indie stores. Well, except that the indie store is what made me a music snob. And honestly, I’m even thankful for that.” – Sean aka Slug (Atmosphere)

Yep. If it wasn’t for record stores, I would have never met my wife. We worked for the same record chain way back in the day, and actually first met at a Record Bar conference, when we were both store managers, in different states. A year later, I found myself moving from Florida in North Carolina, and we’ve been blissfully together ever since. Like, umm, 30 years now? So yeah, maybe a handful of non-blissful moments. But my point is this – without record stores, my life would have been dramatically altered. And not for the good. So, thank you, music. Thank you, record stores. And thank you, Michelle.