Ron Schmeck – Easy Living LP (Valley Records)

Okay, time to bust out a private press gem from my own backyard. Well, Sacramento is my backyard now, but I was still back east when this album, a tribute to RV’s, motor homes and the roads they travelled (and the campgrounds they parked in, whether it be for a day…or weeks) was released, I assume back in the 70’s. The record combined Schmeck’s two loves – motor homes and country music. The former was driven by the fact that Schmeck’s day job was actually *selling* motor homes, as he had a dealership out in the Sacto burbs – Valley Trailer Sales. I mean, I’m sure he really did love motor homes, but he also really loved getting paid for ’em.

He parlayed the second passion into a local and somewhat legendary TV show entitled “Easy Living Country.” Why, of course. It was basically a NorCal Valley version of your old school country singing shows, more Porter Waggoner Show than, say, Hee-Haw, featuring a bunch of local twangers and, of course, Schmeck and his Cannon Ball Express band. Actually, there are several clips from the show over on YouTube if you have any interest in checking ’em out.

Everything here was written by Schmeck, with great song titles like “Traveling Man In A Mini-Van”, “I’m Proud To Own A Mobile Home”, Me And My RV” and “Service Station Man.” And then you have your necessary tribute to the Good Sam Club, simply entitled “Good Sam.” (And I LOVE the Good Sam logo on the jacket!) If you don’t know what Good Sam refers to, ask your parents. Or, maybe your grandparents.

So, this particular record is actually on eBay as a buy-it-now for $20. Oh, and it’s sealed!

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=380320755745&ssPageName=STRK:MESCX:IT#ht_1192wt_907

Birdel’s Records In Brooklyn Is Closing On Friday

Ran across this local NYC piece in this morning’s NY Times. A Bedford-Stuyvesant vinyl shop that’s been in business since 1944 (!) is closing Friday. In you live anywhere near there, go by and pay your respects!

Flat Duo Jets – Flat Duo Jets Cassette (Dog Gone; DOG 0004)

So, stumbled across this sealed cassette in a local shop the other day, and it brought back all kinds of memories. Firstly, straight outta Chapel Hill, NC, circa late 80’s/early 90’s. I lived there during this time, and man, what a great time to be there as there was just loads of great bands in the south at that time and the Flat Duo Jets were just one of ’em. Another was Snatches Of Pink, who also found themselves signed to Dog Gone Records, which was a super tiny indie label started by R.E.M. manager Jefferson Holt. Snatches also found themselves truly mismanaged by, ummm, me. Hey, I loved the band and wanted to do whatever I could to help ’em. But I quickly discovered that management was not for me. That said, I still did what I could as, to this day, I love those records. (In what should be more than an aside – Snatches drummer Sara Romweber – who also happened to be Let’s Active’s original drummer – was/is brother to Flat Duo Jet mainstay Dexter Romweber and Sara now currently backs up her brother in the Dexter Romweber Duo. To this day, one of the more bad-ass drummers I’ve ever seen. Really.)

Anyhoo, Flat Duo Jets were live legends, tearing it up wherever they could play. And this, their debut, was recorded live-to-two-track in a Triangle garage. (Because dude, that’s how it was done back then!). Now, the band was primarily a guitar/drums duo, and this was almost a decade prior to the first White Stripes record (not to mention the slew of guitar/drum duo’s that have followed – I’m looking at you Black Keys…oh, hi there, I really like your band), but for this record they busted the budget and added a stand-up bass player. (BTW, Jack White has publicly and repeatedly paid his respects to Romweber in the past, including the 2010 release of a Duo single as part of Third Man’s Blue Series.)

Wow, that post veered all over the place, no? So, this cassette, not to mention the album and cd, are just super tough to find. I see that someone sold back-to-back copies of the cassette on eBay for, I think, $32.50 each and is now attempting to sell one for $75. For sealed vinyl, sure? But a cassette? Uh, good luck. I have one posted on Gemm and Musicstack for $35. A very reasonable price to pay for some unhinged rock and roll. And as always, should you want to pick it up directly from me, it’s always cheaper. Let’s say $30.

http://www.musicstack.com/item/371407121

http://www.gemm.com/ddc/search.pl?&a_refno=GML1449401075

Mike Watt – Hyphenated-Man

Great piece in today’s New York Times about former Minutman Mike Watt’s new solo project. Mike Watt, the intellectual punk. Nice read.

Misfits – Box Set CD Promotional Sampler (Caroline; PRCD 17)

You know ’em, you love ’em. Check that – you *knew* them and you *loved* them. Regardless, the Misfits were just adorable, no? This is/was a promo-only sampler CD issued in support of the coffin-shaped box set that came out in 1995. The scan is the back tray card with track listing. There never was a front insert piece available for this promo collection, so you simply have a labeled black CD sitting in a clear tray and once the CD is removed there is a bunch of promo hype text under the tray. Nice collector’s piece in unplayed condition. $35 on Musicstack or Gemm; $25 if you want to cut out the middleman and pick it up directly from me. And with that, what evolved into punk rock week around here comes to a close. Maybe.

Murphy’s Law – Murphy’s Law Green Vinyl LP (Rock Hotel/Profile; PRO 1225)

1986 was a pretty big year for Rock Hotel Records, a NY-based indie label who loved mixing their punk with their metal. I mean, just off the top of my head (which this early in the morning is fairly admirable, I must say), they released the debuts from Cro-Mags, Wargasm and Murphy’s Law. Now, the former two definitely had more of a metallic bent musically as well as a dark, somewhat intimidating physical presence whereas Murphy’s Law just came off as a bunch of beer-swilling, weed-smoking, politically incorrect louts (all of which was likely true). But they, I’ll never fault anyone for having a great time whilst rocking, and Murphy’s Law definitely embraced both. I mean, the cartoony jacket alone pretty much says it all, including the custom sticker that notes this is the original green vinyl pressing, as well as the back cover shot featuring Jimmy Gestapo in a Judge Dread T-shirt. Judge Dread ruled in the mid 80’s. Literally. Well, literally if you were a comics fan.

Anyhoo, while this green vinyl pressing isn’t considered “rare”, it is pretty scarce. And when it comes to a sealed copy, rare might be fair. This is available on Musicstack and Gemm for $50. Arguably a twee high, but again, it is sealed and the jacket is in pretty sweet shape. That said, if you want it for $40, just drop me a line – graypunk@mac.com – and it shall be yours. (Wasn’t dead sure “yours” was even a proper word, but I can know assure you it is).

Minutemen – My First Bells Cassette (SST 032)

If your a Minutemen fan, this is pretty essential stuff. That is, unless your a Minutemen completist and already have all these songs, which would be mighty impressive as this a collection of the band’s first two LP’s, five EP’s and assorted cuts from various comp records from back in the day. 62 songs! Man, at the time, this band cranked out an unbelievable amount of songs in a pretty short time span, as all this material was recorded between 1980-1983. 62 songs doesn’t even represent a career for many of today’s recording artists.

What you get – “Paranoid Time” EP, “Joy” EP, “The Punch LIne” LP, “Bean Spill” EP, “What Makes A Man Start Fires” LP, “Buzz Or Howl Under The Influence Of Heat” EP and the aforementioned comp tracks. Oh, and Raymond Pettibon artwork (natch). While much of this material *may* have been subsequently released on CD (honestly, I have NO idea), I don’t believe this comp ever saw a CD release, even years after the fact. And I’m pretty sure it was never available on vinyl either. CrO2 only. This one has got a whole life ahead of it as I barely played this cassette.

At the moment, only available on Musicstack (as I forgot to upload my cassette stuff to Gemm…doh!). Super sweet deal at $20.

http://www.musicstack.com/item/348584481

Posh Hits Vol. 1 (Posh Boy; PBS 8138)

Punk rock Tuesday. I’ll send this out to my favorite punk rocker (old man division), Dal Basi. I didn’t meet Dal until WAY after the prime west coast punk rock years (as I was, sadly, living on the east coast), but I can definitely envision him in his Stockton, CA bedroom jumping up and down in his over-sized creepers to this record. And as well he should. Whenever I go back and listen to stuff of this vintage, I am struck my how super poppy much of it is. I’m not sure how how much I took notice at the time, but considering the first track – Circle Jerks’ “Wild In The Streets” – has a sing-a-long chorus, and the Jerks – I think – were the first punk rock band I ever saw (though it may have been the Ramones, speaking of your uber-poppy punk bands), I’ll just assume it registered on some level.

Anyhoo, this is simply a killer overview of SoCal punk rock, circa early 80’s. It’s all here. Black Flag? Check. Raymond Pettibon artwork? Check. Liner notes from a Flipside writer? Check. (And great liner notes, btw!). And for me, some of my favorite tunes of the time, ranging from prepubescent punk  of Red Cross (“Annette’s Got The Hits/Cover Band”) to the pop metal bubblegum crunch of Channel 3 (“You Make Me Feel Cheap”) to the pre-twang boundary busting of  Alejandro Escovedo’s first band, The Nuns (“Suicide Child”). Yes, they were a Bay Area band, so props for their ability to crash this little LA love-fest.

What I still don’t get to this day – Baby Buddha’s take on “Your Cheatin’ Heart.” I guess you had to be there.

You can find this record, which is quite scarce these days, at either of this fine online retail establishments. And if you happen upon this record via this post, drop me a line and I’ll knock $5 off the record, taking it down to $25. I know it’s hard to put a price on the timelessness of Shattered Faith, but I think I just did.

http://www.musicstack.com/item/331310745

http://www.gemm.com/ddc/search.pl?&a_refno=GML1448427138

Rick Kulwicki, Fluid Guitarist, Dead At 49

F’n ‘ell. Really? 49? Ugh.

I don’t expect this news to reverberate much beyond the band’s hometown of Denver and the band’s somewhat adopted hometown of Seattle (as the band was Sub Pop’s first non-Northwest signing…I think). But man, it always hits harder when a) it’s a band that actually meant something to you at some point; and b) it’s someone who is more or less your age. In this case, exactly my age.

Back in the day, I loved me some Fluid. But to be honest, I was a sucker for sloppy-but-well-informed rock and roll in the late 80’s. (Ummm…still am!) For me, it started with Green River. I LOVED Green River. And as a result, I got sucked into years of trashy Stooges/MC5-inspired punk and roll to come. And that included The Fluid. It certainly didn’t hurt their cred when they found themselves on a Sub Pop Singles Club split with Nirvana. But the band never found the traction that so many others in the scene did. They released a few LP’s and EP’s on Sub Pop between 1986-1990, subsequently finding themselves signed to Hollywood Records  and releasing their final album, “Purplemetalflakemusic” in 1992. Arguably the band’s finest moment, and definitely their most “commercial”, the album went nowhere. While Hollywood would occasionally have some cool signings, they completely sucked when it came to actually marketing those bands (Tsar, anyone?).

Following the Hollywood debacle, the band just disappeared. At least on a national stage. The band got back together for a Sub Pop Anniversary show in 2008, and Kulwicki was still actively playing guitar for a couple of Denver bands, including a reunited The Frantix, which originally provided the Fluid with three band members upon that band’s original demise. Kulwicki apparently was a single father with two kids, and apparently was a completely righteous dude. Tragic.

Pliney The Younger – Russian River Brewing

Behold a 10 ounce glass of super hoppy golden goodness that is called Pliney The Younger, an awesome triple India Pale Ale (IPA) from the folks at Russian River Brewing in Santa Rosa, CA. And not to be confused with its available year-round double IPA relative, Pliny The Elder. I mean, it would be understandable, but still wrong. But Elder is a great fallback, one of the best IPA’s out there. And that’s saying something as craft brewers have been IPA crazy over the past year or so and you can’t swing the proverbial dead cat without knocking over a glass of double/triple/imperial IPA.

Anyhoo, I made the executive decision to completely blow off what should have been a hard-working nose-to-the-grindstone in-the-office Tuesday and, instead, drive an hour-and-a-half to drink beer. Really, when you think about it, it’s a no brainer. That is, if you’re in the position to do that. And fortunately for me, I allowed myself that positioning, and good friend Steven was in as well. So, we’re off.

There was an actual urgency to this trip (as urgent as beer drinking can be, that is) as this particular nectar is only brewed once a year in a very small batch, and was only going to be guaranteed available for two weeks at the brewery. So you see, we really had no choice. Man, am I glad we did, as this beer is pretty damn awesome, hopped to the gills. It had that super bright grapefruity finish that I love in my beers…and my coffee. However, those Kenyan coffee beans don’t come with an alcohol content that tilts just north of the 10% mark. Wow.

The brewery was cranking for 2pm on a Tuesday afternoon; no tables available when we got there about an hour earlier (belly up to the bar!) and not much to choose from when we left at 3pm. And while there was a lot of different malt beverages being imbibed (Russian River also brews a slew of Begian-style ales as well), the beer of choice was definitely skewed to Pliney The Younger, though there were still a number of folks drinking Elder, and a few undertaking their own side-by-side taste tests with both. I don’t know what the hops-to-drinker ratio was in that room, but it was very, very high.

Sadly, with no designated driver, we had to cut ourselves off. I mean, we had to go home and it was probably best to do so while there was still some light in the sky. So, finding ourselves sufficiently hopped, we retreated to the car and back to Sacramento. I’m soooo already looking forward to next year’s pilgrimage.

Yeah, this has nothing to do whatsoever with vinyl. Or even music. The Grammys are two-days in the rear-view, so I’m just gonna let that go (especially since I haven’t yet watched it all). I will note that I recently bought a nicely curated collection of blues, jazz and 20th century classical records (mainly Elliot Carter stuff) and will be posting that, hopefully, later today. The blues stuff is primarily 80’s Chess reissues, some collections and some reissues of classic stuff from Muddy Waters, Howlin’ Wolf and Sonny Boy Williamson. All in really super shape. The jazz is fairly eclectic, about half being some adventurous ECM material and the rest simply being adventurous (Anthony Braxton and Max Roach-together-anyone?).

Again, that stuff will be on Musicstack and Gemm later today. I suppose I should get cracking on that. Cheers, kevin