Steve Vai – Alien Love Secrets NM LP French Pressing (Relativity 478586)

Guitarists don’t come more technically proficient than Steve Vai. Dude can play. I mean, anybody that can keep pace with Zappa for five years has got to be one helluva player. Sadly, after Zappa, he spent the latter half of the 80’s taking on assignments from Alcatrazz, David Lee Roth and Whitesnake. Woof. Hey, I’m sure he walked away with a guitar case full of cash during those years, which I suppose allowed him to follow the solo instrumental path that was initially formulated in the year between his Zappa stint and his subsequent 80’s metal years, issuing the revered “Flex-Able” in 1984.

Right around the time he played on Whitesnake’s last big record, “Slip Of The Tongue”, he also issued “Passion & Warfare”, a hugely successful album in light of the fact that it was instrumental. And it seemingly opened a door for Vai as the final nails were being driven into hair rock’s coffin at this point and Vai’s work up to this point had provided him a pretty wide audience. However, Vai, for whatever reasons, felt compelled to assemble a band and make a hard rock record. The result – “Sex & Religion” – was terrible. At least Whitesnake had songs. And a real singer. Issued over a year after Nirvana’s “Nevermind”, which is widely regarded as THE final death knell for metal, it was an odd, and ill conceived, move.

Which brings us to 1995’s “Alien Love Secrets”. A return to his strength and the only reason folks bought a Vai record in the first place – to hear him play guitar. I don’t know if “quiet” is an appropriate reference, but the record definitely tones the guitar wankiness down a notch, though still has its share of ripping Vai moments. And this being the mid 90’s, a decade that didn’t see a whole lot of artists being granted vinyl releases, “Alien Love Secrets” was only issued in a small French pressing on Relativity.

I purchased this sealed, which typically indicated that a US importer sealed it for distribution in the states as European labels rarely issued records in shrink wrap. Due to the fact that I noticed some super light seam wear on the bottom spine, I felt I should open the item to ensure what I hoped to be its, ummm, mintiness. I was not disappointed as a never-played record resided inside the jacket.

So…unplayed record inside shrink-wrapped jacket with removable sticker on jacket under shrink. Shrink is a twee snug, but did not result in any issues with the vinyl. (BTW, anything in regards to the above scan that appears as wear is isolated to the shrink; no wear issues whatsoever to actual jacket). This is a tough record to track down, as I only see three eBay sales in all of 2011 and they all occurred in early in the year. $60.

Discogs…http://www.discogs.com/sell/list?release_id=3090567&ev=rb

Musicstack…http://www.musicstack.com/item/173879854

Gemm…http://www.gemm.com/item/VAI-c-STEVE/ALIEN–LOVE–SECRETS/GML1887030119/

George Harrison – All Things Must Pass Sealed LP Box (Apple Records; STCH 639)

***Repost from earlier this year, for the obvious self-serving reasons (yes, that would lead one to believe it is still for same…which it is). I mean, it would be remiss of me to flog a key piece of Harrison vinyl on the day that a Martin Scorcese-helmed HBO special airs. Synergy, dude. Or opportunism. Whatever.***

I don’t think there’s a whole lot I need to say about this one, except for the fact that it is sealed (!). I picked it up from a guy who used to run a record store insouthern California back in the day, an original Apple issue with a rather large promo hole through the top right corner of the box. So yeah, a tad unsightly for some. But enclosed within are pristine copies of the three LP’s as well as the poster. ‘m pretty confident that this is a first pressing, with muli-clored sleeves/labels, but I certainly can’t swear-to-John-Lennon as the box remains factory sealed. Shrink is indeed original, sporting the requisite pair of “breathe holes” as well as the missing shrink at promo hole. Oh, btw, said hole does not go through the back of the box, through it does extend through the inners. $175.

Musicstack…http://www.musicstack.com/item/176229784

Gemm…http://www.gemm.com/item/HARRISON-c-GEORGE/ALL–THINGS–MUST–PASS/GML1887392006/

Discogs…http://www.discogs.com/buy/Vinyl/George-Harrison-All-Things-Must-Pass/44567755?ev=bp_rel_det

Gogogo Airheart – Gogogo Airheart Sealed LP (Gold Standard Laboratories; GSL 40)

So today has mysteriously morphed into Gold Standard Laboratories day. Total accident. I had some recently purchased records sitting in a stack to file, and this one was sitting behind the An Albatross record that I just posted. I picked both up from the same store, which must have had a GSL fanbase back in the middle aughts.

This was a belated 2003 vinyl release from San Diego’s Gogogo Airheart, the compact disc of which was released by Vinyl Communications in 1997. GSL reissued the band’s first two records in, I believe, in 2003. The band broke up a few years later. And I missed all of it. And I suppose I will continue to be uniformed as there are only a smattering of Gogogo compilation tracks on Spotify, and I doubt the band’s cover of Queen’s “Death On Two Legs” is representative of their original work. If it is, then they’re okay by me. Shambolic as hell, but shambolic is typically one of my favorite qualities in a band.

If I am to believe Pitchfork (and I rarely do), it’s a post-punk/art-punk thing. Okay, I can believe that. They also apparently love the dub. Oh, those crazy indie kids. And If I am to believe allmusic (and that depends on who’s writing), they dabble in “angular, danceable art-punk”. Hey, I think we have a quorum.

Again, vinyl-only reissue of the band’s debut. Pitchfork mentioned that the vinyl version dropped several tracks from the original, referring to that as a “marked improvement” over the original. This feeds right into my belief that anyone making an album should hire an editor, in an effort to minimize anyone’s exposure to artistic indulgences. (That need to fill up an entire CD with music has always been a huge downside of the format; if a 30-minute disc is good enough for Jesus & Mary Chain and Van Halen, well then…).

Sorry, I keep distracting myself. This is sealed. This is hard to find. This is produced by some dude named Spacewurm (I assume it’s a dude, any female has way better sense than to call herself “Spacewurm”). But Spacewurm brings the (ambient) noise. It has a different cover than the original CD release. And we already mentioned the different track listing. So, there ya have it. $35.

Discogs…http://www.discogs.com/buy/Vinyl/GoGoGo-Airheart-GoGoGo-Airheart/43568240?ev=bp_rel_det

Musicstack…http://www.musicstack.com/item/162262528

Gemm…http://www.gemm.com/item/GOGOGO–AIRHEART/GOGOGO-p-AIRHEART/GML1884504144/

An Albatross – Blessphemy Pale Yellow Wax LP (Gold Standard Laboratories; GSL 122)

Every record shopping trip I undertake eventually results in new knowledge. I am always buying stuff – for resale – that I honestly have no idea what it is that I am actually purchasing. Okay, “no idea” is a twee stretch. I mean, I do know a little sumthin’ sumthin’, so if I am buying a record on GSL, I would have to guess that the possibility exists that it’s gonna be a bit “out there”. Out there as in, beyond the melodic pale.

This is indeed the case with An Albatross, a Philadelphia-based band that occupies a unique corner in the “noise rock” ghetto. Or maybe it’s just a tiny house in a very small neighborhood. I do know this – I can’t seem to find a review that can hang a referenceable descriptor on this band. They like noise. And they like beats. But they make just about every noise, grindcore, experimental or avant whatever entity seem downright top forty fodder.

The best paragraph I could dig up was from a piece written by Steve Carlson at blogcritics.org back when the record was released in 2006…

“Summing up the music of An Albatross is like trying to describe exactly what happened when the police took those batons to your head – flickers of impressions can be divined, but the whole picture is strangely elusive. Rather than breaking it down into components, all that can be described is the total experience. So when I say that the band’s new album Blessphemy (Of the Peace-Beast Feastgiver and the Bear Warp Kumite) is the most bracing shot of aggravated chaos I’ve heard all year, I mean just that. And when I say that An Albatross plays the best damn synth/noise/dance/grind music you’ll ever hear, I also mean just that.”

Oh yeah, the full title of the album – “Blessphemy (Of The Peace-Beast Feastgiver and the Bear Warp Kumite)”. Man. How did they squeeze that on the spine of a CD? Whenever I see a title that long, I am always gonna assume it’s a prog thing. Or, these days, a prog metal thing. Either way, likely not my thing. Throw dance beats in there and I’m almost positive it’s not my thing.

But hey, maybe it’s your thing. This record was sealed when I bought it. But, after doing a little research, I discovered that there is more than one color variation (of course!…I must stop buying sealed indie punk/metal/noise records as there is invariably more than one version, and in some cases, a handful). Sealed records available in multiple colorways are, ummm, troublesome. (I’m looking at you, Misfits!) Of course someone wants to know which version it is, therefore requiring the opening of said item for sale. And I hate opening sealed records to find out that kinda stuff. The worse is when you open it up and find out it’s actually black vinyl. Unless, of course, there’s only 100 copies on black wax.

Okay, so…two different versions of this one – 1500 copies pressed on minty green wax and 500 copies pressed on pale yellow vinyl. And this is the latter. Woo-hoo, I win. Not only pale yellow vinyl, but “unplayed” pale yellow vinyl. Oh, and the gatefold jacket looks like it has some hella cool inner art. But I’m leaving the jacket in shrink, so I suppose I’ll never know how hella cool it actually is. Or, isn’t. $30.

Discogs…http://www.discogs.com/buy/Vinyl/An-Albatross-Blessphemy-Of-The-Peace-Beast-Feastgiver-And-The-Bear-Warp-Kumite/44221776?ev=bp_rel_det

Musicstack…http://www.musicstack.com/item/162262531

Gemm…http://www.gemm.com/ddc/search.pl?&a_refno=GML1884504148

The Rolling Stones – Stripped (Sealed Europe-Only 2LP; Virgin V2801)

Right off the bat, I wanna apologize for that wavy scan. At least, I think I do. I initially thought it was terrible, but if you start at it long enough it can become kinda mesmerizing. I knew the double-shrink thing was gonna present a problem, but I wanted to go with this one anyway, as it is yet another example of a tough-to-find 90’s record due to the small amount of vinyl being pressed during that decade. But hey, it was unusual to even see any mid-to-late 90’s major label release even considered worthy of issuing a vinyl configuration. And when they were, it was typically one small run and over, or maybe just a European-ony issue which the American label then imports to satiate what was then a very tiny populace of vinyl buyers. You know, like this Stones piece.

Yep, never issued domestically, but rather sourced from Virgin’s UK arm by Virgin’s US arm. Actually, Virgin’s US indie arm, as it was Caroline Distribution that made this title available stateside, which explains the removable sticker over the barcode that claims as much. It would have also been Caroline that sealed these records for the American market (as UK labels, kinda sadly, don’t waste their time on such things).

All that duly noted, I wouldn’t exactly call this rare. Copies pop on eBay maybe a couple times a month. Or so. But it is fairly rare to find a copy that remains sealed. So, this has that going for it. In general, a super nice copy with no visual jacket issues whatsoever. Two LP’s of “stripped-down” recordings taken from European club performances and rehearsals, the idea coming by way of the band’s smaller acoustic sets that were part of the “Voodoo Lounge” tour. Smells contractual obligation-ish, but apparently that was not the case.

Musicstack…http://www.musicstack.com/item/140373761

 

Gemm…http://www.gemm.com/item/ROLLING–STONES/STRIPPED/GML1458105238/

Styx – Pieces Of Eight Sealed White Label Promo LP (A&M; SP 4724)

Did he just say “Styx”? Ummm…I believe he did. And why? Dude, do you need a better reason than “Blue Collar Man”? Oh, you do? Okay, I give you “Renegade”. And don’t even try to dispute the greatness of “Renegade”. Okay. Tommy Shaw was dope, yo.

So, I’ll admit it – I enjoyed the occasional Styx song back in the day. Who didn’t? You’re a liar, sir. In regards to this chapter of Styx history (the hit years), I’ll take “Grand Illusion”, certainly over “Pieces Of Eight”. But I think I’d take “Equinox” over both of ’em. The pre-Tommy Shaw years. That was back when Styx was kinda proggy. I know, remotely kinda. But probably about as close to prog as I ever got. Which, admittedly, isn’t close at all.

Okay, back the hard sell. There’s a handful of vinyls that is regularly on the radar of Styx fans, and this WLP of “Pieces Of Eight” is one of ’em. Rarely do you find one sealed, but that is likely to be a result of not many sellers wanting to make that declaration without opening it up to be sure. Hey, I don’t roll like that. I mean, every copy I’ve seen with this promo sticker and cut-out hole has been a white label promo. I cant even imagine that it is not a WLP. That said, if it isn’t, I’m sure I’ll hear about it in the ensuing days/weeks after it’s eventually left here. But it is. I promise.

Musicstack…http://www.musicstack.com/item/162262539

Gemm…http://www.gemm.com/ddc/search.pl?&a_refno=GML1884504159

Philip Glass/Robert Wilson – Einstein On The Beach 4LP Box (CBS Masterworks; M4 38875)

I believe I have previously mentioned an occasional penchant for buying classic and/or opera titles. And again, I have no idea why as I truly know next-to-nothing (okay, really, nothing) about either of the genres. But I do personally like quite a bit of atonal-leaning 20th Century compositions, and typically the more minimal, the better. However, there is one wing of minimalism that I just have a hard time wrapping my head around, and that would be operatic and/or choral pieces. Just. Can’t. Hang.

That said, I would refer to “Einstein On The Beach” as a bit of an exception. It’s a pretty over-whelming composition, the longest operatic piece that Glass has written to date, and it takes up eight sides of vinyl to present it . So, how much rhythmic repetitiveness are you up for? (My wife just called in to say – emphatically – “none”). Strap yourself in (or down, maybe), because you’re in for a long, long listen.

“Einstein…” has been issued on two separate occasions, and this is the original, albeit slightly abridged version from 1979 (as a result of the space limitation of vinyl, there was some editing of the some of the opening scene’s repeats). It was also re-recorded in 1993, with 30 minutes of additional music, due to ahem, technological innovation (that is, the compact disc).

And the original 1979 version was issued twice on vinyl, first by Tomato Records and then shortly thereafter by CBS Masterworks in the UK. The vinyl was actually pressed in the Netherlands, and is both the scarcer and the better sounding of the two versions; vinyl, original lined Masterworks inners and 24-page 12×12 libretto are housed in a very nice, very shiny hinged box, with hinge completely intact. Box has some light general wear, including a small scuff on the front bottom. Otherwise, all components in killer shape; vinyl is exceptional. $65.

Discogs…http://www.discogs.com/buy/Vinyl/Philip-Glass–Robert-Wilson-Einstein-On-The-Beach/43598389?ev=bp_rel_det

Musicstack…http://www.musicstack.com/item/162262536

Gemm…https://www.gemm.com/item/GLASS-c-PHILIP—l—ROBERT–WILSON/EINSTEIN–ON–THE–BEACH/GML1884504156/

Lalo Schifrin – The Rise And Fall Of The Third Reich (MGM; S1E-12 ST)

If one didn’t know any better (and who says one doesn’t?), that one may think that Lalo Schifrin composed the soundtrack to every move and television show in the late 60’s and early 70’s. His most well-known work has to be for the iconic 60’s TV series “Mission: Impossible” (and later that same year, “Mannix”). Right around the same general time frame came soundtracks for a pair of great Steve McQueen films, “Cool Hand Luke” and “Bullitt”, as well as “Marquis De Sade”, “Murderer’s Row”, “Coogan’s Bluff” and Academy Award nominee “The Fox” (for the record, “Cool Hand Luke” was also a nominee). And that’s just for starters. There was also a boundary pushing non-soundtrack record – “There’s A Whole Lalo Schifrin Goin’ On”- that is also very highly regarded. Dude must have never left the studio in those days.

“Rise & Fall…”, taken from the three-part television mini-series, which was itself based on the William Schirer’s book of the same name, must surely be one of his most obtuse works. I can honestly say that I am not musically versed enough to even try to describe what the hell is going on here, but my understanding is that this work was not as much an actual soundtrack as it was a “cantata” based on Schifrin’s true score (and I’m not sure the true score was even officially released).

The lone piece of commentary that I could actually find on this record (which is one of  slew of records Schifrin composed and released that isn’t recognized by the folks over at All Music) was taken from a 1967 Life Magazine blurb written by Downbeat’s west coast editor Harvey Sider…

“It is a solidly constructed work, a 44 minute modern day Faust legend ranging in idiom from traditional German classicism to contemporary tone clusters that occasionally flirt with atonality. The score adheres to the slightly surrealistic English libretto by poet Alfred Perry. With the Versailles Treaty as it’s implied starting point, the allegory examines the 20th Century Gotterdammerung with the chorus cast as the gods, the contralto as Mother Earth, the tenor as the Devil.”

Okay, sure. I would agree with that. That is, as much as I understand it. My takeaway – it’s pretty out there. And while I typically like “atonal”, I’m not the biggest cantata fan that you’ll run across. But if you are, and you’re up for what I consider both an impressive and challenging piece of work, have at it.

This  original 1967 stereo recording is in pretty fantastic shape – vinyl is in super beautiful near mint condition while the jacket has the faintest touch of ring wear, more visible on the back than front, and has a clean cut-out hole found on the bottom left corner. (This appears to be one of those titles that is damn near impossible to find without the coh, and it’s pretty hard to find as it is). Inner gatefold, which contains paste-on liner notes & libretto, is also in great shape. All this for $40.

Musicstack…http://www.musicstack.com/item/157488402

Gemm…http://www.gemm.com/item/SCHIFRIN-c-LALO/RISE–AND–FALL–OF–THE–THIRD–REICH/GML1878657146/

Ella Fitzgerald Stereo & Mono Originals On Verve

Anybody in need of some original Ella Fitzgerald vinyl? Picked up a small lot of jazz stuff this morning, and there must be close to 20 Verve titles, many in mono (and several sporting the original pre-stereo MGV prefix). Still need to spot-check for any quality issues. Also a few Brubecks that looked pretty sweet on first glance. Should have it all sorted by the end of the weekend.

Another New, Unplayed Copy Of Robert Plant’s 2LP Dreamland (Mercury 063 094)

So, I had – and subsequently sold – a superb copy of this 2LP German rarity about a month ago. Seriously hard for me to believe I stumbled across another really, really nice copy. But…I did. And it’s up for sale over on eBay. (Yes, the same eBay that I like to occasionally disparage).

Super hard to find, pressed in a machine numbered edition of 2000. This is #1396. Vinyl and inserts are mint. Jacket isn’t too far away, as a small top spine push is about as bad as it gets. $450.

Click this…http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=180721269631#ht_1164wt_1114